| 10 | 
The Pride of Edo (Edo jiman) | 
circa 1818-1820 | 
[Izzard], 22 | 
 | 
Thoughts reflected in a Mirror (Omoigoto kagami utsushi-e) | 
circa 1818-1820 | 
[Izzard], 24 | 
| 10 | 
Contemporary Manners and the Passing of Time [Starfrost of the Times]
	[Contemporary Night-time Customs] (Hoshi no shimo tosei fukozu) | 
circa 1818-1821 | 
[Frabetti], 118-119 
[Izzard], 18 
[NarazakiIII], C16 | 
 | 
Eight Famous Views of Edo | 
circa 1818-1821 | 
[NarazakiIII], C12 | 
 | 
Eight Popular Scenes and Contemporary Women | 
circa 1818-1821 | 
[NarazakiIII], C13 | 
 | 
An Imaginary Eight Views (Mitate hakkei) | 
circa 1820 | 
[Izzard], 29 | 
 | 
Twelve Hours of the Clock of the Present Day (Imayo tokei juni toko) | 
circa 1820-1822 | 
[Izzard], 20 | 
| 21 known | 
A Collection of Famous Restaurants of Modern Times (Toji komei kaiseki
	zukushi) | 
circa 1820-1825 | 
[Izzard], 21 
[NarazakiIII], C15 | 
| 8 x 3 | 
Eight Views of Edo (Edo hakkei) | 
circa 1820-1825 | 
[Forrer], G267 
[Izzard], 25 
[VanVleck], pp. 251 | 
 | 
Untitled set of half-length actor prints | 
1822 | 
[Tinios], C4 | 
 | 
A Contemporary Thirty-Two Types (Tosei sanjuni so) | 
circa 1822-1823 | 
[Izzard], 27 
[NarazakiIII], 11 | 
 | 
Six Famous Rivers with the Name 'Tama' and Six Beauties | 
circa 1822-1825 | 
[NarazakiIII], C14 | 
| 10 | 
Great Performances - Contemporary Pressed-Cloth Battledores (Tosei
	oshi-e hagoita atari kyogen no ochi) | 
circa 1823 | 
[Izzard], 35 | 
 | 
Flower and Bird, Wind and Moon (Kacho-fugetsu) | 
circa 1823-1825 | 
[Izzard], 28 | 
| 8 known | 
Famous Places of Edo (Edo meisho) | 
circa 1824-1825 | 
[Izzard], 36* | 
| 5 | 
A Collection of Famous Places in the Red-Hair [Dutch] Oil-Painting Style
	(Komo Abura-e meisho zukushi) | 
circa 1824-1825 | 
[Izzard], 37 | 
 | 
Untitled series on the twelve months
 | mid 1820's | 
[Forrer], G263 | 
 | 
Firely Catching - A Lineup of Edo Folk (Hotarugari - Edokko soroi) | 
mid 1820's | 
[Tinios], C5 | 
 | 
Secret Meetings by Moonlight (Tsuki no kage shinobu yoru) | 
mid 1820's to circa 1836-1838 (various dates given) | 
[Forrer], G270-274 
[Izzard], 73 
[Rappard], 133-134 
[NarazakiIII], 14 | 
 | 
Different Kinds of Modern Household Rules (Tosei teikin orai) | 
1820's | 
[VanGogh], 144 | 
| 6 known | 
Made to Order in Modern Taste (Oatsurae Toseikonomi) | 
1820's | 
[Rappard], 135 | 
| 5 | 
Drawings in the Red-Hair [Dutch] Oil-Painting Style	(Komo Abura-e fu) | 
circa 1825 | 
[Izzard], 38 | 
 | 
Untitled series on the theme of snow, moon and flowers | 
circa 1825 | 
[Izzard], 45 | 
 | 
Untitled set of half-length actor prints | 
1826 | 
[Izzard], 46 | 
| 5 | 
Modern Views of Summer (Tosei natsu geshiki) | 
circa 1826 | 
[Izzard], 41 | 
 | 
A Collection of Modern Beauties (Tosei bijin awase) | 
circa 1826 | 
[Izzard], 42 | 
 | 
A Collection of Beauties from the Pleasure Quarters (Seiro bijin awase) | 
circa 1826 | 
[Izzard], 71 | 
| 5 | 
Modern Views of Spring (Tosei haru-geshiki) | 
circa 1826-1828 | 
[Izzard], 40 | 
 | 
Battle Tales of Han and Chu (Kan-So gundan) | 
circa 1827 | 
[Izzard], 43 | 
| 9 known | 
Rumours of Marriage Ties of Couples (Enmusubi Myoto Hyoban) | 
late 1820's | 
[Rappard], 142 | 
 | 
A Collection of Otsu Prints (Otsue zukishi [Otsue Tsukushi]) | 
late 1820's - early 1830's | 
[Forrer], G283 
[Rappard], 143 | 
 | 
Three Fasionable Tippers (Fuzoku san-nin namayoi) | 
circa 1829-1830 | 
[Izzard], 63 | 
 | 
Types of the Floating World Seen Through a Physiognomist's Glass
	(Ukiyo jinsei tengankyo) | 
circa 1830 | 
[Izzard], 60 | 
 | 
Untitled set of half-length actor prints | 
circa 1830 | 
[Tinios], C8 | 
 | 
An Imagined Confrontation of the Three Theatres (San shibai
	mitate taimen) | 
1832 | 
[Tinios], C11 | 
| 10 | 
A Collection of Joriri Libretti (Joruri zukushi) | 
circa 1832 | 
[Izzard], 62 | 
| 10 | 
Actors with Six Jewel Faces (Haiyu mutama-gao) | 
circa 1832 | 
[Izzard], 66 | 
| 10 | 
A Competition of Beauties and Celebrated Views of Japan (Honcho fukei
	bijin kurabe) | 
circa 1832-1834 | 
[Izzard], 64 | 
 | 
Untitled series showing actors framed in mirrors | 
circa 1833-1834 | 
[VanGogh], 169 
[Tinios], 1 | 
| 10 | 
Untitled group of landscapes | 
early 1830's | 
[Forrer], G275-276 
[Izzard], 65 
[Rappard], 140 
[VanVleck], pp. 252 
[NarazakiIII], C18-19 | 
 | 
The Five Festivals (Gosekku no uchi) | 
early 1830's | 
[VanGogh], 159 | 
 | 
Annual Observances at Yoshiwara (Yoshiwara nenju gyoji) | 
early 1830's | 
[VanGogh], 160 | 
 | 
Japanese Version of the 108 Heroes of the Water Margin | 
early 1830's | 
[NarazakiIII], C6 | 
 | 
Banners for Parlour Decorations (Gohi zashiki nobori no uchi) | 
circa 1835-1837 | 
[Izzard], 81 | 
| 5 | 
Five Brightly Colored Banners(Goku saishiki gohon nobori no uchi) | 
circa 1835-1837 | 
[Izzard], 82 | 
| 5 known | 
Untitled set of half-length actors with their poems | 
circa 1836 | 
[Izzard], 69 | 
 | 
Sun, Moon and Stars (Jitsugetsusei no uchi) | 
mid 1830's | 
[Forrer], G284 | 
 | 
Parody on the Eight Views of the Hours of the Yoshiwara (Yoshiwara
	tokei nihen mitate hakkei) | 
1830's | 
[VanGogh], 158 | 
 | 
Parodies on Three Plays (San Shibai Mitate) | 
1830's | 
[VanGogh], 162 | 
 | 
[Modern Allusions to] The Seven Komachi ([Tosei Mitate] Nana Komachi) | 
1830's to early 1840's (various dates given) | 
[VanGogh], 164 
[Rappard], 152 | 
 | 
Famous Unusual Women from Different Places (Mei-ijo hogaku) | 
1830's | 
[VanGogh], 167 | 
 | 
Eight Views of Beautiful Women (Bijin hakkei) | 
1830's | 
[VanGogh], 168 | 
 | 
Fashionable Women of Edo (Tosei Edo suzume) | 
1830's | 
[VanGogh], 170 | 
 | 
The Imitation Murasaki and the Rustic Genji (Nise Murasaki Inaka Genji) | 
1830's | 
[VanGogh], 171-172 | 
 | 
Untitled set of half-length actor prints | 
1838 | 
[Tinios], C10 | 
 | 
The Fifty-Three Stations of the Tokaido (Tokaido gojusan tsugi
	no uchi) {"Bijin Tokaido"} | 
circa 1838 | 
[Izzard], pp. 30 
[VanVleck], pp. 252 | 
 | 
The Twelve Hours of Tatsumi (Tatsumi junitoki no uchi) | 
circa 1838-1840 | 
[Izzard], 74 | 
 | 
Eight Views of Tatsumi [the Licensed Quarters] (Tatsumi hakkei no uchi) | 
1830's - early 1840's | 
[Forrer], G281 
[VanGogh], 165 | 
 | 
Eight Views of Edo Figures (Edo sugata hakkei) | 
circa 1840 | 
[Forrer], G280 | 
 | 
Untitled series on the twelve months | 
early 1840's | 
[Forrer], G277-279 | 
 | 
Collection of Pictures to the Hundred Poems by One Poet Each
	(Hyakkunin isshu kaisho) | 
circa 1843-1845 | 
[VanGogh], 174 
[VanVleck], pp. 253 | 
 | 
A Choice of Five Colors from the Floating World (Ukiyo goshoku awase) | 
circa 1843-1845 | 
[VanGogh], 176 | 
 | 
An untitled series of portraits of women, many with musical instruments | 
circa 1843-1845 | 
[VanGogh], 178-179 | 
 | 
Ten Celestial Stems (Jikan eto no uchi) | 
circa 1843-1846 | 
[VanGogh], 182 | 
 | 
A Selection of Fans with Eight Views Along the Sumida River
	(Ogi awase Sumidagawa hakkei) | 
circa 1843-1846 | 
[VanGogh], 186 | 
 | 
Elegant Pictures of Snow, Moon and Flowers (Furyu setsegekka)
 | 1844 | 
[Forrer], G287 | 
 | 
Untitled series on the six crystal rivers | 
1844 | 
[Forrer], G292 | 
 | 
The Five Festivals (Gosekku no uchi) | 
1844 | 
[Forrer], G302 
[VanVleck], pp. 253 | 
 | 
Untitled series on the theme of snow, moon and flowers | 
circa 1844-1845 | 
[Forrer], G296-297 | 
 | 
Eight Views of Edo (Edo hakkei no uchi) | 
circa 1844-1845 | 
[Forrer], G300 | 
 | 
Festivals of the Year in the Floating World (Ukiyo nenju gyoji) | 
circa 1844-1845 | 
[Forrer], G301 
[VanGogh], 186 | 
 | 
Shadow Pictures of an Auspicious Age (Arigataki miyo no kage-e) | 
circa 1844-1845 | 
[Izzard], 75 | 
 | 
Contemporary Stripes Woven to Order | 
circa 1844-1845 | 
[Izzard], 76 | 
 | 
Untitled series of half-length actors in front of fabrics | 
circa 1844-1845 | 
[Izzard], 76 | 
| 100 | 
Untitled set of women compared to the one hundred poems
	[Possibly the same as
	this series] | 
circa 1844-1846 | 
[Izzard], 77 | 
 | 
The Wife of Yoshitomo, Head of the Left Horse (Sama no kami Yoshitomo
	no sai)  | 
circa 1845 | 
[VanGogh], 180 | 
| 8 #1 | 
Fifty-three Parallels for the Tokaido (Tokaido gojusan tsui)
	(With Hiroshige and Kuniyoshi) | 
circa 1845-1846 | 
 | 
| 14 #2 | 
Ogura Imitations of the One Hundred Poets [Ornamental Papers Patterned
	After the Hundred Poets] (Ogura nazorae Hyakunin isshu)
	(With Hiroshige and Kuniyoshi) | 
circa 1845-1847 | 
 | 
 | 
Famous Places in Edo Combined with Poems (Edo meisho hokku awase
	no ochi) | 
circa 1846 | 
[Forrer], G293-295 | 
 | 
Untitled series on the twelve months | 
circa 1847-1848 | 
[Forrer], G304-305 | 
 | 
Flowers, Birds, Wind and Moon (Kachofugetsu no uchi) | 
circa 1847-1848 | 
[Forrer], G317 
[VanVleck], pp. 255 | 
 | 
An untitled series of portraits of women with a gengimon background | 
circa 1847-1848 | 
[VanGogh], 188-189 | 
| 20+ | 
A Mad Arrangement of Haiku Poets in Portrait and Writing
	(Haika Shoga Kyodai) | 
circa 1847-1848 | 
[Rappard], 154-156 | 
 | 
Eight Views of the Southern Capital (Nanto hakkei no uchi) | 
circa 1848 | 
[Forrer], G314 | 
 | 
Modern Views of Flowers, Birds, Wind and Moon (Jisei kachofugetsu) | 
circa 1848-1850 | 
[Forrer], G310 | 
 | 
A Mirror of Past and Present Examples of Loyalty and Filial Piety
	(Konjaku Chuko kogami) | 
late 1840's | 
[Tinios], C12 | 
 | 
Pictures of Famous Unusual Women of Edo (Edo mei-ijo zue) | 
circa 1849-1853 | 
[VanGogh], 166 | 
 | 
Six Choices of Summer Among the Night Trades (Yoaki nai rokkasen) | 
circa 1849-1853 | 
[VanGogh], 192 | 
 | 
A Selection of Flowers for the Five Festivals (Gosechi no hana awase) | 
circa 1849-1853 | 
[VanGogh], 206-207 | 
 | 
Eastern Pictures of Edo Purple (Edo murasaki azuma no utsushie) | 
circa 1850 | 
[VanVleck], pp. 254 | 
 | 
Eastern Pictures with a Stylish Shrine Page (Heza sugata azuma no
	utsushie) | 
circa 1850 | 
[VanVleck], pp. 254 | 
 | 
Snow, Moon and Flowers (Setsugekka no uchi)
 | circa 1850 | 
[VanVleck], pp. 256 | 
 | 
The Four Seasons (Shiki no uchi) | 
circa 1851 | 
[Izzard], 84 | 
| 138 | 
[Actors at the] [Between the] Fifty-Three Stations of the Tokaido
	([Yakusha mitate] Tokaido gojusan-tsugi no uchi [kan]) | 
1852 | 
[Izzard], 89 
[Tinios], 24 
[Rappard], 158-159 | 
 | 
Views of Famous Places in Edo (Edo meisho zue) | 
1852 | 
[VanGogh], 221 | 
 | 
Sixty-Odd Provinces of Great Japan (Dai Nippon Rokujuyoshu) | 
1852 | 
 | 
The Sixty-Nine Stations of the Kiso [Highway] (Kiso rokujukyu eki) | 
1852 | 
[Izzard], 90 
[Tinios], C13 | 
 | 
An Imaginary Thirty-Six Poets (Mitate sanjurokkasen no uchi) | 
1852 | 
[Izzard], 91 
[VanVleck], pp. 257 | 
 | 
Faithful Depictions of the Figure of the Shining Prince (Sono Sugata
	Hikaru no Utsushi-e) | 
1852 | 
[Rappard], 160 | 
 | 
Fifty-Four Chapters of Edo Purple (Edo Murasaki Gojuyon Cho) | 
1852 | 
 | 
| 49 | 
A Set of Famous Restaurants in the Eastern Capital (Toto Komei Kaitei
	Tsukushi) {With Hiroshige} | 
1852-1853 | 
[Rappard], 169-172 | 
 | 
Co-work on the Tale of Genji (Furyu Genji Eawase) {With Hiroshige} | 
1853 | 
[NarazakiIII], C25 | 
 | 
Combined Landscapes and Stage Scenes of the Fifty-Three Post Stations
	of the Tokaido {With Gyosai and Yoshimori} | 
1853 | 
[NarazakiIII], C27-C32 | 
 | 
A Comparison of Purple Appearances of Edo (Edo Murasaki sugata kisoi) | 
1854 | 
[VanGogh], 222 | 
| 12 x 3 | 
The Twelve Months (Junigatsu no uchi) | 
1854 | 
[VanGogh], 237-239 | 
 | 
Six Crystal Rivers | 
1854 | 
[VanGogh], 223-224, 240? | 
 | 
An untitled set of illustrations of chapters of the Tale of Genji | 
1854 | 
[VanVleck], pp. 257 | 
 | 
The Fifty-Three Stations [of the Tokaido] by [from] Two Brushes
	(So-hitsu Gojusan-tsugi) {With Hiroshige} | 
1854-1855 | 
[Rappard], 174-177 
[VanVleck], pp. 53-54 
[Tinios], 22 | 
 | 
Eight Views of Lake Biwa (Omi hakkei no uchi) | 
1855 | 
[VanGogh], 249 | 
 | 
Untitled series of portraits of actors with inset circular
	panels of other actors | 
1855-1857 | 
 | 
 | 
Famous Places in Edo and One Hundred Beautiful Women (Edo meisho hyakunin
	bijo) | 
1857-1858 | 
[VanGogh], 258-259 
[Izzard], 94 | 
 | 
[Contemporary Allegory] An Up-to-Date Parody of the Four Classes
	(Imayo mitate shi-no-ko-sho) | 
1857 | 
[Forrer], G318 
[Izzard], 93 | 
 | 
Murasaki's Hand-Printed Ashikaga Pictures of the Twelve Months (Ashikaga
	ginu tezome no Murasaki junigatsu no uchi)
 | 
1858 | 
[VanGogh], 263-264 
[VanVleck], pp. 258 | 
 | 
Genji Compared with an Imaginary Eight Views (Genji mitate hakkei
	no uchi) | 
1858 | 
[Izzard], 85, pp. 34 | 
 | 
Poems for the Four Seasons (Tosei shiki no nagame) | 
1858 | 
[VanVleck], pp. 257 | 
 | 
The Fifty-Four Chapters of Genji (Genji goju yojo [hattan]) | 
1858-1859 | 
[VanGogh], 279 
[Izzard], 86 
[NarazakiIII], 16 | 
 | 
Matching Pictures with the Chushingura (Chushingura e-kyodai) | 
1859 | 
[VanGogh], 267-269 | 
 | 
The Modern Thirty-Two Types (Imayo sanjuni so) | 
1859 | 
[Izzard], 95 | 
 | 
Fashionable Mirror Reflections (Imayo oshi e-kagami) | 
1859 | 
[VanGogh], 272-274 | 
 | 
Records of Famous Women From All Ages (Kokin meifu den) | 
1859 | 
[VanGogh], 275-276 | 
 | 
Twelve Months of the Fashionable Genji (Imayo Genji junigatsu
	no uchi) | 
1859 | 
[VanGogh], 278 | 
 | 
Tale of Genji Joint Work (Gappitsu Genji) {With Hiroshige II} | 
1859 | 
[NarazakiIII], C26 | 
| 18 known | 
Actors in Mirrors in Raised Picture Style | 
1859-1861 | 
[NarazakiIII], C33-36 | 
 | 
Toyokuni's Caricatures (Toyokuni manga zue) | 
1860 | 
[Izzard], 97 | 
 | 
Untitled series of actor portraits [often referred to as "Famous Kabuki
	Actors Past and Present (Konjaku kabuki meiyu)] | 
1860-1865   (some issued posthumously) | 
[Izzard], 96, pp. 39 
[Tinios], C16, 25, 27 | 
 | 
Untitled series of actors backstage | 
1861 | 
[Izzard], 98 | 
| 12 x 3 | 
A Modern Genji During the Twelve Months (Imayo Genji Junikagetsu
	no uchi) | 
1861 | 
[Rappard], 166 | 
 | 
A Selection of Old and New from a Modern Genji (Imayo Genji
	ronyaku awase) {With Hiroshige II} | 
1862 | 
[VanGogh], 291 | 
 | 
Modern Parodies of the Thirty-Six Flowers (Tosei mitate
	sanjurokkassen) | 
1862 | 
[VanGogh], 292 | 
 | 
From the Four Seasons (Shiki no uchi) | 
1862 | 
[VanGogh], 294 | 
 | 
Legends of Famous Women of All Ages [Lives of Famous Women of the Past
	and Present] (Kokin meifu den) | 
1862 | 
[VanGogh], 296 
[VanVleck], pp. 258 | 
 | 
Famous Places on the Tokaido (Tokaido Meisho no Uchi) (With Yoshitoshi,
	Kunisada II, Hiroshige II, and Kyosai) | 
1863 | 
 | 
 | 
Toyokuni's Drawings - A Magic Contest (Toyokuni kigo - kijitsu kurabe) | 
1864 | 
[Tinios], C15 | 
 | 
Thirty-Six Views of the Pride of Edo {With Hiroshige II} | 
1864 | 
[Rappard], 178 |